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Another experiment

1/10/2019

1 Comment

 
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Idea: to make square tiles that are about 2" deep, hang by a wire in the back, and may or may not have an inset.  After drawing and cutting out the pattern for a 12" square, like the one above, I decided to make them smaller and made a pattern for an 8".  These first ones I formed by folding the corners on a slab that was not allowed to stiffen, and the difficulty was the sides wanted to get all wavy and bow out; so the struggle was to keep them straight and also at right angles to the top surface.

I decided the solution might be to make wooden boxes for support.  But I came across a couple of pieces at the local Goodwill that were the right size and might work.
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However, it didn't work as smoothly as I anticipated.  Tomorrow I'll work with them some more and see if the idea is feasible.

Meanwhile, I cut out three 8" squares and the four sides for each and will do it the slow way: let them set up to leather hard (the clay is stiff but not dry) and join the pieces together with score and slip.

In the past, for the arch tiles and birdhouse tiles, I've always thrown the sides on the wheel as a ring without a bottom, let it dry slightly, then altered the shape, put it onto a slab and joined the two together.  I never got the sharp right angles on the corners that I'm trying to get with this new method, and it was difficult to throw each ring on the wheel  exactly the same size for a set of tiles.

I have another idea.  Do it like I did the first one at the top, but support them with 8" x 2" pieces of wood or something stiff, then tape around the corners of the supports to hold the piece while it dries, checking it occasionally to make sure the sides are staying straight.  I'm trying to avoid doing it the slow way but still get the tile I want.

1 Comment
Scott link
9/25/2021 02:55:13 am

Thaanks great post

Reply



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    Peggy Crago
    o happy clay!

    I spent many hours as a child poring over fairy tales books and copying the illustrations.  And having grown up in a large family with no room for clutter, I came to appreciate things that were both functional and beautiful. My studio is in the middle of my organic garden.  Between gardening and working with clay, it seems like my hands are never clean!

           Before ceramics, I spent twenty-five years in fine art and graphic art, including ten years as a sign painter. My work has won several awards, is in galleries across the country, and has been exhibited in national shows.

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